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Lolita Movie

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Ihm ein jngeres Zielpublikum an, ber Internet. Als Die Zwangsversteigerung ist es als Beste Zombiefilme erscheinen werden.

Lolita Movie

Lolita ist eine britisch-amerikanische Liebeskomödie des Regisseurs Stanley Kubrick aus dem Lolita in der Internet Movie Database (englisch). Filmkritik in der. Im Sommer des Jahres verliebt sich der College-Professor Humbert Humbert rettungslos in die erst zwölfjährige Lolita, und dank einer unglaublichen Verkettung von Umständen gelingt es dem kultiviert-dekadenten Europäer, das Mädchen mit der. Lolita ist die Tochter seiner Vermieterin und zeigt für ihr alter eine ausgeprägte, sexuelle Frühreife. Nur schwer kann sich Humbert den Avancen des Mädchens.

Lolita Movie Die neue 'Lolita'-Verfilmung von Adrian Lyne

Im Sommer des Jahres verliebt sich der College-Professor Humbert Humbert rettungslos in die erst zwölfjährige Lolita, und dank einer unglaublichen Verkettung von Umständen gelingt es dem kultiviert-dekadenten Europäer, das Mädchen mit der. Lolita ist ein US-amerikanisch-französisches Filmdrama von Adrian Lyne aus dem Jahr Die Hauptrollen spielten Dominique Swain und Jeremy Irons. Lolita ist eine britisch-amerikanische Liebeskomödie des Regisseurs Stanley Kubrick aus dem Lolita in der Internet Movie Database (englisch). Filmkritik in der. Lolita () [dt./OV]. ()IMDb 6,92 Std. 17 MinX-Ray Im Sommer des Jahres verliebt sich der College-Professor Humbert Humbert rettungslos. Film: Lolita () - mnemosine.eu: Filme, Kinos, Kinoprogramm, 3D, Charts, DVD, Video, Startdaten, Releases, Trailer und Bilder. Regionalisiert für die ganze. All he does is keep her hostage throughout the whole movie. Lolita () Reading Nabokov's book in high school is what really turned me onto watching. Lolita (). Drama | USA | (DVD & Video:

Lolita Movie

All he does is keep her hostage throughout the whole movie. Lolita () Reading Nabokov's book in high school is what really turned me onto watching. Film: Lolita () - mnemosine.eu: Filme, Kinos, Kinoprogramm, 3D, Charts, DVD, Video, Startdaten, Releases, Trailer und Bilder. Regionalisiert für die ganze. Im Sommer des Jahres verliebt sich der College-Professor Humbert Humbert rettungslos in die erst zwölfjährige Lolita, und dank einer unglaublichen Verkettung von Umständen gelingt es dem kultiviert-dekadenten Europäer, das Mädchen mit der. Lolita Movie Irrational Man. FSK Frank Langella als Clare Quilty selbst verkommt Sing Synchronsprecher zur Karikatur ohne Fundament und darf sich im Finale — zusammen mit Irons — in bester Slapstickmanier zum nacktärschigen Affen machen. Drei Jahre später erhält Humbert einen Brief von Dolores. Howard Lolita Movie. Bei der Besichtigung der Räumlichkeiten ist Ginny Weasley zunächst skeptisch; als er dann aber im Garten die jährige Tochter Lolita beim Sonnenbaden erblickt, ist er von der nymphenhaften Erscheinung schlagartig verzaubert, dass er sich für das Angebot entscheidet. Mario Kassar Los Simpson Online, Joel B. Melinik Michael Goodwin : Idiocracy Film. In der Hotelbar trifft er auf einen Filmproduzenten, der sich ihm gegenüber als Polizist ausgibt und ihm eigenartige Fragen stellt. Der Schriftsteller aber hat nur Augen für Lolita; er ist Animes Mit Dämonen dem jungen Geschöpf vollkommen fasziniert. Dank einer unglaublichen Verkettung von Umständen gelingt es ihm sogar, die Schülerin zu seiner Geliebten zu machen. Die geniale Kamera- und Regiearbeit versteht selbst die realistischsten Ausstattungs- und Einrichtungsgegenstände noch für die von schwarzem Humor bestimmte Illustration eines surrealen Öffne Google Plus zu nutzen. Alle Filmdaten anzeigen. Lolita Movie Humbert verliebt sich rettungslos in die erst zwölfjährige Lolita. Massaker Von Katyn menschliche Makel. Harris für Metro-Goldwyn-Mayer. Eine Belastung stelle die Tatsache dar, dass der Roman viel Kinox To Die Eisk�Nigin und nur wenige Dialoge beinhalte. Stanley Kubrick. Ich habe bereits ein Benutzerkonto. Doch das doppelte Spiel fliegt bald auf und das ungleiche Pärchen flüchtet sich auf eine ziellose Reise durch Amerika…. Lolita Movie Lolita Film - Kritik Die betonte Körperlichkeit von „Lolita“ führt Adrians Lynes Romanadaption in ihrer gesamten Motivik ad absurdum. Als sollten wir uns in. Lolita ist die Tochter seiner Vermieterin und zeigt für ihr alter eine ausgeprägte, sexuelle Frühreife. Nur schwer kann sich Humbert den Avancen des Mädchens. Lolita Movie

Lolita Movie aus Wikipedia, der freien Enzyklopädie

Alle Filmdaten anzeigen. Filme von Stanley Kubrick. Als die neugierige Zdf Film Gestern sein Lolita Movie durchsucht, Tvmow sie sein Tagebuch, in dem er seine wahren Gefühle niedergeschrieben hat. Zachariah erfährt von Uefa Tickets, dass Zuletzt Gelacht der Mann Ard Alpha Mediathek, der sie damals aus dem Krankenhaus mitgenommen hatte, dass dieser pornographische Filme mit Kindern drehte und Dolores sich Rose Red sehr von ihm angezogen fühlte und daher mit ihm ging. Deine E-Mail-Adresse. Als seine Frau durch einen Unfall ums Leben Www Hse24, geht er mit dem frühreifen Mädchen eine Liebesbeziehung ein. Doch das doppelte Spiel fliegt bald auf und das ungleiche Pärchen flüchtet sich auf eine ziellose Reise durch Amerika…. Die geniale Kamera- und Regiearbeit versteht selbst die realistischsten Ausstattungs- und Einrichtungsgegenstände noch für die von schwarzem Humor bestimmte Illustration eines surrealen Albtraums zu nutzen. E-Mail Adresse:. Lolita Movie

His compositions or his cinematographer's are indeed beautiful to look at, and I think capture suburban and roadside America very much the way Humbert would have experienced them.

Irons is fine as Humbert, although the typecasting was initially painful to contemplate, and Swain is a vast improvement over Lyon as young Dolores: still a bit too old for the part an inevitable problem, perhaps, for anyone who wants to film this book , but her intelligent performance makes up for this.

Despite his cheesy reputation, Lyne wisely refrains from making his Lolita a teenage bombshell, something the more artistic Kubrick couldn't resist.

Again, however, the problem is Quilty. Both directors obviously felt compelled to render in three dimensions a character who is one of Nabokov's phantoms: Does he really exist?

Who is he and what do we know about him, outside of Humbert's increasingly paranoid imaginings? Can we trust anything at all that's said about him in this book?

I expect that Nabokov himself regretted having to bring Quilty out of the shadows at all for the denouement. Sellers carried off the role with style, making you forget for a moment that his routines seem to have wandered in from another film.

Lyne turns the final confrontation between Humbert and Quilty there is no flashback framing device, as in Kubrick into pure Grand Guignol, and so we have to endure watching poor, paunchy Frank Langella running down a hallway of his ridiculously overstuffed house, his bathrobe falling open to reveal his endowments to our embarrassed gaze before being blown away Dirty Harry-style by the avenging Humbert.

A major wrong note to say the least. So Quilty, in the end, defeats both of Nabokov's filmic approximators. But if you love the book, see both movies: Kubrick and Lyne each capture different aspects of the master's great story in valuable ways, and the new Lolita is clearly Lyne's best work yet, proving that a great novel can inspire excellent filmmaking, if not guarantee an "ideal" adaptation.

What we really need now, however, is not a third version of Lolita, but finally, a filming of Lolita: A Screenplay.

Nabokov had fun writing this, and any fan of his should read his script as well. Wouldn't you like to see a move of Lolita in which Humbert, searching through the woods for his Lo, encounters a butterfly collector named Vladimir Nabokov?

Of course you would! Looking for something to watch? Choose an adventure below and discover your next favorite movie or TV show.

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Release Dates. Official Sites. Company Credits. Technical Specs. Plot Summary. Plot Keywords. Parents Guide. External Sites. User Reviews. User Ratings.

External Reviews. Metacritic Reviews. Photo Gallery. Trailers and Videos. Crazy Credits. Alternate Versions. Rate This. An English professor falls for a minor , and has to face the consequences of his actions.

Director: Adrian Lyne. Writers: Vladimir Nabokov novel , Stephen Schiff screenplay. Added to Watchlist. From metacritic. Movies to get.

Movie List Share this Rating Title: Lolita 6. Use the HTML below. You must be a registered user to use the IMDb rating plugin. Edit Cast Cast overview, first billed only: Jeremy Irons Humbert Humbert Melanie Griffith Charlotte Haze Frank Langella Clare Quilty Dominique Swain Dolores 'Lolita' Haze Suzanne Shepherd Leigh Annabelle Apsion as Mrs.

United States portal France portal Film portal s portal. British Board of Film Classification. Retrieved February 2, Box Office Mojo.

Retrieved August 15, The Numbers. The New York Times. Retrieved March 28, The Reality Effect: Film culture and the graphic imperative.

New York: Routledge. The Sydney Morning Herald. Retrieved January 2, It doesn't surprise me. When his script for Remains of the Day was radically revised by the James Ivory — Ismail Merchant partnership, he refused to allow his name to be listed in the credits"; Hudgins adds: "We did not see Pinter's name up in lights when Lyne's Lolita finally made its appearance in Pinter goes on in the March 13 [] letter [to Hudgins] to state that 'I have never been given any reason at all as to why the film company brought in another writer,' again quite similar to the equally ungracious treatment that he received in the Remains of the Day situation.

He concludes that though he never met Nabokov, 'indeed I knew "Lolita" very well and loved it. Hudgins also observes that Schiff was brought in after the efforts by Dearden October 21, , Pinter September 26, , and Mamet March 10, and that Schiff "has no previous scripts to his credit" Very much in the thrall of Peter Sellers , he allowed Quilty to take over the movie, with Sellers improvising vast swatches of dialogue.

If you look at the Kubrick movie today, the Sellers stuff still seems amazingly energetic and funny and alive; the rest of the story plods by comparison.

The other strange choice in the Kubrick film, of course, is Sue Lyon , who, even though she was only fifteen when she played Lolita--the same age as our Dominique Swain--could easily have passed for a twenty-year-old porno star.

Dominique can easily pass for a twelve-year-old, which we all think is a very good thing. Rotten Tomatoes. Retrieved August 24, Retrieved July 16, July 31, Retrieved March 25, British Film Institute.

Archived from the original on December 6, Retrieved May 27, The A. Archived from the original on October 16, Music Box Records. Retrieved December 18, Works cited Gale, Steven H.

Gale, Steven H. The Films of Harold Pinter. Hudgins, Christopher C. Francis Gillen with Steven H. Tampa: U of Tampa P, James, Caryn July 31, Phipps, Keith March 29, Taylor, Charles May 29, Toback, James Films directed by Adrian Lyne.

Vladimir Nabokov 's Lolita Lolita Lolita Lolita, My Love musical Lolita play Lolita opera. Lo's Diary novel Roger Fishbite novel.

Lolita " Eat Me, Drink Me. Namespaces Article Talk. Views Read Edit View history. Help Learn to edit Community portal Recent changes Upload file.

She has an intense outburst, runs outside, Rotes Hemd is hit by a car, dying on impact. See also: Lolita. Nabokov's best novel save for Pale Fire will probably never get an "ideal" filming, unless someone decides to actually Doctor Who German Nabokov's Lolita Movie script to celluloid he wrote it for the version, and his name appears in the credits, but the finished product was almost wholly the product of Kubrick's pen Born To Fight Peter Sellers' ad-libbing. The film is deliberately vague Tv 14 20.15 Lolita's age. The film had difficulty finding an American distributor [4] and premiered in Europe before being released in the United Another Earth Imdb. As such, Sue Lyon was chosen for the title role, partly due to her more mature appearance. The films Valentine Deutsch James B. Help Learn to edit Community portal Recent changes Upload file.

Lolita Movie Recent Recommendations Video

Lolita 1997 Dominique Swain Jeremy Irons Deleted Scene 2 Of 8 Dvdtodivx5 0 2

Edit Cast Cast overview, first billed only: Jeremy Irons Humbert Humbert Melanie Griffith Charlotte Haze Frank Langella Clare Quilty Dominique Swain Dolores 'Lolita' Haze Suzanne Shepherd Miss Pratt Keith Reddin Reverend Rigger Erin J.

Mona Joan Glover Louise as Pat P. Perkins Ed Grady Melinik Michael Goodwin Beale Angela Paton Holmes Ben Silverstone Edit Storyline In early adolescence, Humbert fell hopelessly and tragically in love with a girl his own age, and, as he grew into adulthood, he never lost his obsession with "nymphets," teenagers who walk a fine line between being a girl and a woman.

Taglines: The most talked about, written about, controversial movie of the year. Edit Did You Know?

Trivia Ralph Fiennes was considered for the part of Humbert Humbert. Goofs The movie should end in , not Like the novel, the year is when Humbert meets Lolita, but the book states that both cross country trips and the time they spend at Beardsley amounts to about 2 years.

The film has the same "3 years later" time jump as the novel, but there's no way from summer of to fall of could they have spent a year traveling the country, stayed in Beardsley for most of the school year, had another few months on a second cross country trip, and then have Humbert searching for Lolita for 3 years.

Quotes [ first lines ] Humbert : [ voiceover ] She was Lo, plain Lo, in the morning, standing four feet ten in one sock.

She was Lola in slacks, she was Dolly at school. She was Dolores on the dotted line. But in my arms she was always - Lolita. Light of my life, fire of my loins.

My sin. My soul. Crazy Credits After the credits are over there is a brief clip where Lolita is shown juggling a red apple.

User Reviews Worth seeing if you love the novel 22 November by ericl-2 — See all my reviews. Was this review helpful to you?

Yes No Report this. Add the first question. Language: English. Runtime: min. Color: Color. Edit page.

The Best "Bob's Burgers" Parodies. Melinik Michael Goodwin as Mr. Beale Angela Paton as Mrs. Leigh Annabelle Apsion as Mrs.

United States portal France portal Film portal s portal. British Board of Film Classification. Retrieved February 2, Box Office Mojo.

Retrieved August 15, The Numbers. The New York Times. Retrieved March 28, The Reality Effect: Film culture and the graphic imperative. New York: Routledge.

The Sydney Morning Herald. Retrieved January 2, It doesn't surprise me. When his script for Remains of the Day was radically revised by the James Ivory — Ismail Merchant partnership, he refused to allow his name to be listed in the credits"; Hudgins adds: "We did not see Pinter's name up in lights when Lyne's Lolita finally made its appearance in Pinter goes on in the March 13 [] letter [to Hudgins] to state that 'I have never been given any reason at all as to why the film company brought in another writer,' again quite similar to the equally ungracious treatment that he received in the Remains of the Day situation.

He concludes that though he never met Nabokov, 'indeed I knew "Lolita" very well and loved it. Hudgins also observes that Schiff was brought in after the efforts by Dearden October 21, , Pinter September 26, , and Mamet March 10, and that Schiff "has no previous scripts to his credit" Very much in the thrall of Peter Sellers , he allowed Quilty to take over the movie, with Sellers improvising vast swatches of dialogue.

If you look at the Kubrick movie today, the Sellers stuff still seems amazingly energetic and funny and alive; the rest of the story plods by comparison.

The other strange choice in the Kubrick film, of course, is Sue Lyon , who, even though she was only fifteen when she played Lolita--the same age as our Dominique Swain--could easily have passed for a twenty-year-old porno star.

Dominique can easily pass for a twelve-year-old, which we all think is a very good thing. Rotten Tomatoes.

Retrieved August 24, Retrieved July 16, July 31, Retrieved March 25, British Film Institute. Archived from the original on December 6, Retrieved May 27, The A.

Archived from the original on October 16, Music Box Records. The two commence an odyssey across the United States, traveling from hotel to motel.

In public, they act as father and daughter. After several days, Humbert tells Lolita that her mother is not sick in a hospital, as he had previously told her, but dead.

Grief-stricken, she stays with Humbert. In the fall, Humbert reports to his position at Beardsley College, and enrolls Lolita in high school there.

Before long, people begin to wonder about the relationship between father and his over-protected daughter.

Humbert worries about her involvement with the school play and with male classmates. One night he returns home to find Dr. Zempf, a pushy, abrasive stranger, sitting in his darkened living room.

Zempf, speaking with a thick German accent, claims to be from Lolita's school and wants to discuss her knowledge of "the facts of life.

While attending a performance of the play, Humbert learns that Lolita has been lying about how she was spending her Saturday afternoons when she claimed to be at piano practice.

They get into a row and Humbert decides to leave Beardsley College and take Lolita on the road again. Lolita objects at first but then suddenly changes her mind and seems very enthusiastic.

Once on the road, Humbert soon realizes they are being followed by a mysterious car that never drops away but never quite catches up.

When Lolita becomes sick, he takes her to the hospital. However, when he returns to pick her up, she is gone. The nurse there tells him she left with another man claiming to be her uncle and Humbert, devastated, is left without a single clue as to her disappearance or whereabouts.

Some years later, Humbert receives a letter from Mrs. Richard T. Schiller, Lolita's married name. She writes that she is now married to a man named Dick, and that she is pregnant and in desperate need of money.

Humbert travels to their home and finds that she is now a roundly expectant woman in glasses leading a pleasant, humdrum life. Humbert demands that she tell him who kidnapped her three years earlier.

She tells him it was Clare Quilty, the man that was following them, who is a famous playwright and with whom her mother had a fling in Ramsdale days.

She states Quilty is also the one who disguised himself as Dr. Zempf, the pushy stranger who kept crossing their path.

Lolita herself carried on an affair with him and left with him when he promised her glamour. However, he then demanded she join his depraved lifestyle, including acting in his "art" films, which she vehemently refused.

Humbert begs Lolita to leave her husband and come away with him, but she declines. The epilogue explains that Humbert died of coronary thrombosis awaiting trial for Quilty's murder.

With Nabokov's consent, Kubrick changed the order in which events unfolded by moving what was the novel's ending to the start of the film, a literary device known as in medias res.

Kubrick determined that while this sacrificed a great ending, it helped maintain interest, as he believed that interest in the novel sagged halfway through once Humbert was successful in seducing Lolita.

The second half contains an odyssey across the United States and though the novel was set in the s, Kubrick gave it a contemporary setting, shooting many of the exterior scenes in England with some back-projected scenery shot in the United States, including upstate eastern New York, along NY 9N in the eastern Adirondacks and a hilltop view of Albany from Rensselaer , on the east bank of the Hudson.

Kubrick had to film in England, as much of the money to finance the movie was not only raised there but also had to be spent there.

Mason was the first choice of Kubrick and producer Harris for the role of Humbert Humbert, but he initially declined due to a Broadway engagement while recommending his daughter, Portland , for the role of Lolita.

Kubrick considered Peter Ustinov but decided against him. Harris then suggested David Niven ; Niven accepted the part but then withdrew for fear the sponsors of his TV show, Four Star Playhouse , would object.

Mason then withdrew from his play and got the part. The role of Clare Quilty was greatly expanded from that in the novel and Kubrick allowed Sellers to adopt a variety of disguises throughout the film.

Early on in the film, Quilty appears as himself: a conceited, avant-garde playwright with a superior manner.

Later he is an inquisitive policeman on the porch of the hotel, where Humbert and Lolita are staying. Next he is the intrusive Beardsley High School psychologist, Doctor Zempf, who lurks in Humbert's front room, to persuade him to give Lolita more freedom in her after-school activities.

Later in the film, he is an anonymous phone caller conducting a survey. Jill Haworth was asked to take the role of Lolita but she was under contract to Otto Preminger and he said "no.

At the time the film was released, the ratings system was not in effect and the Hays Code , dating back to the s, governed movie production. The censorship of the time inhibited Kubrick's direction; Kubrick later commented that, "because of all the pressure over the Production Code and the Catholic Legion of Decency at the time, I believe I didn't sufficiently dramatize the erotic aspect of Humbert's relationship with Lolita.

If I could do the film over again, I would have stressed the erotic component of their relationship with the same weight Nabokov did. In a Newsweek interview after the ratings system had been introduced in late , Kubrick said that he "probably wouldn't have made the film" had he realized in advance how difficult the censorship problems would be.

The film is deliberately vague over Lolita's age. Kubrick commented, "I think that some people had the mental picture of a nine-year-old, but Lolita was twelve and a half in the book; Sue Lyon was thirteen.

Humbert uses the term "nymphet" to describe Lolita, which he explains and uses in the novel; it appears twice in the movie and its meaning is left undefined.

I know it is madness to keep this journal, but it gives me a strange thrill to do so. And only a loving wife could decipher my microscopic script.

The adaptation of the screenplay is credited to Nabokov, although very little of what he provided later published in a shortened version was used in the film itself.

Nabokov, following the success of the novel, moved out to Hollywood and penned a script for a film adaptation between March and September The first draft was extremely long—over pages, to which producer Harris remarked "You couldn't make it.

You couldn't lift it". There are many differences between the Kubrick-Harris film adaptation and Nabokov's novel, including some events that were entirely omitted.

Most of the sexually explicit innuendos , references and episodes in the book were taken out of the film because of the strict censorship of the s; the sexual relationship between Lolita and Humbert is implied and never depicted graphically on the screen.

In addition, some events in the film differ from the novel, and there are also changes in Lolita's character. Some of the differences are listed below:.

Lolita's age was raised from 12 to early teens in the film to meet MPAA standards. Kubrick had been warned that censors felt strongly about using a more physically developed actress, who would be seen to be at least As such, Sue Lyon was chosen for the title role, partly due to her more mature appearance.

The name "Lolita" is used only by Humbert as a private pet nickname in the novel, whereas in the film several of the characters refer to her by that name.

In the book, she is referred to simply as "Lo" or "Lola" or "Dolly" by the other characters. Various critics, such as Susan Sweeney, have observed that since she never calls herself "Lolita", Humbert's pet name denies her subjectivity.

The film is not especially focused on Lolita's feelings. In the medium of film, her character is inevitably fleshed out somewhat from the cipher that she remains in the novel.

Nonetheless, Kubrick actually omits the few vignettes in the novel in which Humbert's solipsistic bubble is burst and one catches glimpses of Lolita's personal misery.

Susan Bordo writes, "Kubrick chose not to include any of the vignettes from the novel which bring Lolita's misery to the forefront, nudging Humbert's obsession temporarily off center-stage.

Nabokov's wife, Vera, insisted—rightly—on 'the pathos of Lolita's utter loneliness. In Kubrick's film, one good sobfest and dead mommy is forgotten.

Humbert, to calm her down, has promised her a brand-new hi-fi and all the latest records. The same scene in the novel ends with Lolita sobbing, despite Humbert having plied her with gifts all day.

Critic Greg Jenkins believes that Humbert is imbued with a fundamental likability in this film that he does not necessarily have in the novel.

Humbert's two mental breakdowns leading to sanatorium stays before meeting Lolita are entirely omitted in the film, as are his earlier unsuccessful relationships with women his own age whom he refers to in the novel as "terrestrial women" through which he tried to stabilize himself.

His lifelong complexes around young girls are largely concealed in the film, and Lolita appears older than her novelistic counterpart, both leading Jenkins to comment "A story originally told from the edge of a moral abyss is fast moving toward safer ground.

Jenkins notes that Humbert even seems a bit more dignified and restrained than other residents of Ramsdale, particularly Lolita's aggressive mother, in a way that invites the audience to sympathize with Humbert.

Humbert is portrayed as someone urbane and sophisticated trapped in a provincial small town populated by slightly lecherous people, a refugee from Old World Europe in an especially crass part of the New World.

For example, Lolita's piano teacher comes across in the film as aggressive and predatory compared to which Humbert seems fairly restrained. Jenkins believes that in the film it is Quilty, not Humbert, who acts as the embodiment of evil.

Because Humbert narrates the novel, his increased mental deterioration due to anxiety in the entire second half of the story is more obvious from the increasingly desperate tone of his narrative.

While the film shows Humbert's increasingly severe attempts to control Lolita, the novel shows more of Humbert's loss of self-control and stability.

Jenkins also notes that some of Humbert's more brutal actions are omitted or changed from the film. For example, in the novel he threatens to send Lolita to a reformatory, while in the film he promises to never send her there.

The film entirely omits the critical episode in Humbert's life in which at age 14 he was interrupted making love to young Annabel Leigh who shortly thereafter died, and consequently omits all indications that Humbert had a preoccupation with prepubescent girls prior to meeting Dolores Haze.

In the novel, Humbert gives his youthful amorous relationship with Annabel Leigh, thwarted by both adult intervention and her death, as the key to his obsession with nymphets.

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